Author Topic: odds and ends [bodybuilding related.  (Read 75926 times)

funk51

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Re: odds and ends [bodybuilding related.
« Reply #75 on: February 10, 2022, 11:32:02 AM »
 
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Re: odds and ends [bodybuilding related.
« Reply #76 on: February 10, 2022, 12:17:25 PM »
 
   sergio's movie
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Re: odds and ends [bodybuilding related.
« Reply #77 on: February 10, 2022, 12:33:57 PM »
   https://www.jaycutlershop.com/products/official-jay-cutler-bobblehead    get your own jay cutler bobblehead. ::) ::) ::) ::)
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Re: odds and ends [bodybuilding related.
« Reply #78 on: February 10, 2022, 01:03:13 PM »
   
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Re: odds and ends [bodybuilding related.
« Reply #79 on: February 10, 2022, 03:29:06 PM »
   
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Re: odds and ends [bodybuilding related.
« Reply #80 on: February 12, 2022, 06:49:48 AM »
   
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Re: odds and ends [bodybuilding related.
« Reply #82 on: February 13, 2022, 11:07:59 AM »
   The Story Of John Grimek, The Renaissance Man Of Fitness
Grimek was considered a true pioneer in the early 20th century for mixing aesthetics and performance.

Written by Conor HeffernanLast updated on February 11th, 2022
John Grimek is one of the greatest athletes to ever touch a barbell. That is a big claim, but one which the “Monarch of Muscledom” most surely deserves. Born in New Jersey in 1910, Grimek represented the United States at the 1936 Olympics in weightlifting before becoming a two-time Mr. America winner in 1940 and 1941. So impressed were the Mr. America judges with Grimek’s physique that they changed the competition’s rules to prevent winners from re-entering the contest.

Much like Bill Kazmier, who was banned from entering the World Strongest Man contest in the 1980s owing to his dominance, Grimek was effectively banned from the Mr. America contest. Undeterred, he won the 1948 Mr. Universe title and then the Mr. USA title in 1949. Grimek retired from bodybuilding soon after having never lost a competition.

Discussing Grimek is a challenge. Not because he was a difficult personality — if anything he was known for his friendliness — but because he accomplished so much across so many different fields. He helped pioneer barbell lifting in the United States, inspired millions to train, and remained as a key figure in American fitness until his death in 1998.


 

 
 
 
 
 
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A post shared by Clarence The Big Boss (@clarencethebigboss)


When the highly-respected bodybuilding entrepreneur Earle Liederman saw Grimek on stage in 1940, he wrote: “I must confess my eyes opened a bit wider, for seldom have I seen such a highly developed body. Criticism cannot find one weak spot.” (1)

In a touching obituary for Grimek, famed bodybuilding promoter and founder of Muscle & Fitness magazine Joe Weider wrote, “From the 1930s through the 1960s, John Grimek was the most dominant force in the world of bodybuilding.” (2) Bill Starr called him “the most admired man in all of physical culture.” (3)


Grimek was at the forefront of American fitness in the twentieth century. What follows is a detailed look at his life and legacy.

The Early Years
John Grimek was born in New Jersey in 1910 to George and Maria Grimek. Somewhat oddly given his successes, Grimek’s interest in weightlifting was not innate, but rather something he developed thanks to the mentorship of his older brother George. (4)

As retold by David Chapman, George was consumed by his growing interest in physical culture. He was a reader of prominent health magazines at the time like Physical Culture and Strength. (5) More importantly, he bought nearly every fitness device advertised in the back of these publications. George earnestly used the equipment, encouraging John to do the same. When the iron touched his hand, John found “an intense desire to build a magnificent physique, and he had a magnificent foundation on which to build.” (6)

At the age of 19, John began sending photographs of himself to muscle magazines which, as David Chapman explained, caused a stir in the fitness industry. Posing outdoors and often wearing headbands, loincloths and other costumes, the young Grimek was praised for his posing ingenuity and abilities. It was clear, even from this age, that he possessed the potential to build a truly remarkable physique. (7)



 

 
 
 
 
 
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A post shared by Cornel Cherim (@cornel_personal.trainer)


It was for this reason that Mark Berry, the editor of Strength magazine, eventually contacted Grimek about the possibility of the two training together. During the early 1930s, Berry was one of the foremost experts in American weightlifting. He coached the Olympic weightlifting team, was the editor of Strength, and published multiple books on training.

Living with Berry, Grimek gained both strength and size. Under Berry’s methods, Grimek brought his weight up to 250 pounds. (8) Although he trained like a bodybuilder, and was presented as such during this time, Grimek displayed a much greater affinity for weightlifting than with muscle posing.

In 1936, Grimek was selected for the United States Olympic Weightlifting team alongside other stars like John Terry, John Terpak and Tony Terlazzo. Terlazzo was the only American to come home with a medal (he won America’s first Olympic gold in weightlifting), but Grimek’s presence was still celebrated in American fitness magazines. Going into the tournament as the AAU Heavyweight Champion, Grimek finished ninth with a 788-pound total across the clean, snatch and military press.

Notably, Grimek was originally scheduled to compete as a light heavyweight. He was bumped up to heavyweight and still managed to finish ninth despite being the lightest competitor. (9) Grimek continued to train with Berry after the Olympics and did so until 1938 when his coach, and his fortunes, changed.


Creating “The Glow”
Grimek moved to York, Pennsylvania in 1938; he was invited to train with Bob Hoffman’s York Barbell Club. Entering weightlifting contests under Hoffman’s tutelage, Grimek was encouraged to take part in the 1939 AAU Mr. America competition. This was one of the first bodybuilding shows to come to the United States.

At that time, informal bodybuilding shows were usually held at the end of a weightlifting meet. After the lifters had completed their lifts, whoever was willing and able to compete in a posing competition was invited to do so. Grimek was routinely asked by his fellow competitors and coaches to take part, owing to his amazing physique. (10) Grimek was capable of rippling the muscles around his body like a wave, could do one-handed handstands and strike unusual but powerful poses. He was a force to behold.


 

 
 
 
 
 
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A post shared by Bodybuilding of Yore (@bodybuildingofyore)



In 1939, Grimek competed in his first ever physique competition, the York “Perfect Man Contest,” which he won. The following year, Grimek took part in the Mr. America contest against future winner Frank Leight and former Olympic team mate Tony Terlazzo. Grimek was far and away the best competitor. He won the most muscular award and the overall prize. (11)

Even more impressive was his lifting performance. Although weightlifting was not required in the contest, Grimek lifted and managed a total of 860 pounds across the snatch, clean and press all while wearing his street shoes. (12)



In both the strength and bodybuilding worlds, Grimek’s legend was growing. It was around this time that Strength & Health writer Harry Paschal began calling Grimek “The Glow,” owing to his radiant skin.

When Grimek won the Mr. America contest the following year, the AAU was faced with a serious problem. They simply couldn’t see how another bodybuilder could beat Grimek in competition. So, they decided to ban winners from re-entering the contest. This gave Grimek the distinction of being the only elite bodybuilder banned from competition for being too successful.

All was not lost. In 1948, Grimek was invited to compete in the Mr. Universe competition organized by the National Amateur Bodybuilding Association (NABBA). The Mr. Universe was held in Philadelphia in 1947, but none of the competitors made the trip to London for the NABBA show the following year. Held in conjunction with the 1948 Olympic Games, this show pitted John Grimek against the new up-and-coming star in bodybuilding Steve Reeves.

Writing for the British Amateur Weightlifter and Bodybuilder, Ron Chifney praised Reeves before acknowledging that Grimek was still the pinnacle. Indeed, he went so far to state that, “the man has not been born who could have followed Grimek’s great display without suffering a little by comparison.” (13)

The below video gives a rare, but amazing, example of Grimek’s posing in action:




Grimek actually beat Reeves again the following year at a newly-created AAU Mr. USA competition, in what proved to be his last competitive event. It added another title to his undefeated competitive record.

Retired from competition, Grimek became a figurehead as an editor with both Strength and Health magazine and Muscular Development. He became Senior Editor of Strength and Health in the early 1940s and was given full control over Muscular Development after its creation in 1964.

For the next 20 years, Grimek strove to produce a factual bodybuilding magazine while simultaneously encouraging the next generation of bodybuilders. He passed away in 1998 at 88 years old. He was physically active until the very end. (14)



How Grimek Changed the Fitness Industry
Aside from being a prestigious competitor, Grimek helped to challenge the stereotype of the muscle-bound lifter. A single look at an Olympic weightlifter or CrossFit champion is enough evidence that weight training does not make you inflexible, slow, or uncoordinated.

Remarkably, there was a time when the myth prevailed among the medical community. In 1940, Professor Peter Karpovich of Springfield College was one particularly strong proponent of the idea that athletes must avoid weight training. Karpovich believed one of his jobs was to “fight against the muscle-builders” of his era. (15)

Such was Karpovich’s demonization of weight training that one of his graduate students wrote a letter to Bob Hoffman of York Barbell asking for help. The student helped organize a forum for Dr. Karpovich, at which John Grimek appeared.


 

 
 
 
 
 
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A post shared by Silver Era Physical Culture (@silver_era_physical_culture)



Facing Karpovich head-on, Grimek proved his flexibility by scratching between his shoulder blades. Next, he did the splits to display beyond any doubt that he was not restricted by his physique and that weight lifting was actually beneficial. (16)

This may seem like a small victory but it completely changed Karpovich’s opinion. He became a crusader for fitness, began producing academic studies on weight training and even helped to write one of the first academic books on weight lifting (Physiology of Muscular Activity). Grimek’s physique, character, and feats of fitness helped drive medicine’s acceptance of resistance training.



Building John Grimek
Grimek was blessed with several genetic advantages. He was known for his training intensity and consistency, but even his contemporaries agreed that Grimek’s body was made for bodybuilding.

Professional bodybuilder Bill Pearl tells a story of traveling to a competition with John Grimek. At that time, Grimek was the experienced veteran and Pearl the young protégé. As the journey continued, Grimek offered Pearl some food.

Anxious to discover what secret food the great John Grimek ate before competition, Pearl was shocked to see his hero eating a Hersey’s chocolate bar. Grimek’s diet was primarily made up of whole foods, but it was clear that he was able to eat what others couldn’t. Grimek’s wife once remarked that John ate anything she put in front of him. (17)


 

 
 
 
 
 
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A post shared by Bodybuilding of Yore (@bodybuildingofyore)



When it came to training, Grimek was very much a Renaissance lifter. He spent periods doing Olympic lifting, circuit training and full-body workouts. According to fitness historian Brooks Kubrick: (18)

What matters is how he built his foundation: heavy barbell exercises, including lots of squats, cleans, snatches, military presses, and one-handed lifts. Simple, but effective.



Conclusion
How does one summarize Grimek’s career? Was he the bodybuilder who was banned for being too successful? The Olympic lifter turned bodybuilder? The man who proved weight training was beneficial? Or the man who inspired generations to take to the iron? Perhaps he was all of it and more.

Grimek was a true Renaissance man. He was proficient in multiple fields and, through his passion for lifting, made an impression wherever he went. Yes he was genetically gifted but he was talented and passionate in equal measure. When that was combined with an indefatigable work ethic, magic happened.

References
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funk51

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Re: odds and ends [bodybuilding related.
« Reply #83 on: February 13, 2022, 01:03:19 PM »
 
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Re: odds and ends [bodybuilding related.
« Reply #85 on: February 14, 2022, 12:38:40 PM »
  BODYBUILDING
Why The 1980 Mr. Olympia Bodybuilding Contest Was So Controversial
Arnold Schwarzenegger's swan song from competitive bodybuilding wasn't without a heap of criticism.

Written by Conor HeffernanLast updated on April 10th, 2021
Since emerging on the bodybuilding scene in the late 1960s, Arnold Schwarzenegger has become one of the most influential and inspiring athletes in bodybuilding. What bodybuilder, or even general fitness enthusiast, doesn’t know of Schwarzenegger? Even if you’ve never picked up a weight, you probably know of the Austrian native — as a bodybuilder, movie star, politician, or environmental activist. He’s so popular that you can refer to him as just “Arnold” and most people know who you’re talking about. Since retiring in 1980, Arnold has cast a long shadow and is still revered for his importance in helping to popularize bodybuilding among the masses.

Arnold’s appearance in the 1977 film Pumping Iron, the George Butler and Charles Gaines’ documentary centered on the 1975 Mr. Olympia, helped propel both Arnold and bodybuilding into mainstream culture. (1) Fans and competitors owe him a great deal. Few people would dispute his legacy.

From 1970 to 1975 Arnold won six Mr. Olympia titles. After the sixth win, he retired to focus on his then-burgeoning movie career (which includes hits like Conan The Barbarian, Twins, and the Terminator series). He moved to greener pastures, or so it seemed. In 1980 Arnold shocked fans and competitors alike when he announced, the day before the Mr. Olympia contest, that he was making a comeback. (2)

The reactions were mixed. Competitor Mike Mentzer was furious and even tried to attack Arnold at a pre-contest press conference. Other athletes like Frank Zane and Boyer Coe, expressed pity that Arnold was going to return, lose, and tarnish his legacy. On the night of the show, many were shocked at Arnold’s conditioning. (3) The “Austrian Oak” failed to compare to a new generation of stars. When Arnold was announced as the winner, the audience booed, competitors stepped off stage and some retired from the sport in disgust.


Fans and competitors were outraged. Television networks separated from the competition. New rules regarding judging were set in place. Arnold’s 1980 victory isn’t just controversial — it changed the trajectory and perception of bodybuilding forever.



[Related: Every Winner of the Mr. Olympia Bodybuilding Competition]

After the Austrian Oak
When Arnold retired from bodybuilding in 1975, it ushered in a new age for the sport. Arnold had won the previous six competitions. His retirement meant that others could now compete for the Mr. Olympia title. Taking over Arnold’s place was his training partner and close friend the late Franco Columbu, who won the 1976 Olympia. From 1977 to 1979, Frank Zane took the honors.

Although two men shared the title over four years, the time after Arnold’s victory was competitive. With Arnold out of the way, newer bodybuilders began to gain attention — competitors like Boyer Coe, Mike Mentzer, and a young Tom Platz. There was excitement in the sport. Arnold had previously been the athlete with the most sponsorships and magazine covers who monopolized all the media attention. (4) Now fans could choose from a variety of different athletes and body types. If Arnold represented the ideal physique of the 1960s and 1970s, these newer athletes were progressing the standard of bodybuilding further.


Illustrative of this were the careers of Frank Zane and Mike Mentzer. Zane’s reign, for example, marked a stark difference from Arnold’s era. Compared to Arnold’s approximate competition weight of 235 pounds, Zane weighed 185 pounds on stage. He was smaller, but also much leaner. His physique, by many, is considered to be the most aesthetic ever. 

Challenging Zane at that time was Mike Mentzer, one of bodybuilding’s most controversial characters. Mentzer was known for going against the grain at the time. Whereas many bodybuilders opted for two-hour-long training sessions with high volume per body part, Mentzer trained using the high-intensity training principles of Arthur Jones. He’d perform just three exercises per body part, working up to just one or two sets for each exercise to absolute failure. As for his diet, Mentzer was a proponent of calorie and macro-counting before diets like If It Fits Your Macros were a fad. He’d eat protein-rich meals, but also consume treats like ice cream and pancakes, even close to a competition. (5)



[Related: The Best Protein Powders for Vegans, Weight Loss, and More]

In 1978 Mentzer won the Mr. Universe contest with a perfect score — the first time this happened in bodybuilding history. In the 1979 Mr. Olympia, he finished in second place to Frank Zane. When Zane, Mentzer, Chris Dickerson, Boyer Coe, and Tom Platz traveled to Australia in 1980 to compete in that year’s Mr. Olympia contest, few individuals could predict a winner. None could have predicted Arnold’s entry.

The Road to the 1980 Olympia
At this point in the timeline, Arnold had two separate careers. He became a movie star, appearing in films like Stay Hungry or Pumping Iron, and he promoted bodybuilding shows. (6) Alongside Jim Lorimer (who is also Arnold’s partner for the Arnold Classic), Arnold helped to organize the Olympia shows from 1976 to 1979. The 1980 show was organized by Australian bodybuilder Paul Graham who, author John Fair found, was Arnold’s good friend. (7)



Arnold had retired from bodybuilding but his influence was still felt. This does not explain why he decided to return to competing. The reason for that came from his movie career — specifically his role in Conan the Barbarian. Released in 1982, Conan told the story of a young, muscular warrior (played by Arnold Schwarzenegger) who avenges the death of his parents.

Starring in Conan required Arnold to transform his body from ‘a lean young warrior of about 215 pounds to a full-bodied, robust king of about 230’ pounds. Arnold set to training and began using his old bodybuilding routines to build a Conan body. Somewhere along the way, his training partners encouraged him to enter the Olympia. (8)

But did he listen? Initially no. Although Arnold continued to ask the opinion of bodybuilding coaches and athletes about whether or not he should enter (including Joe Weider and Franco Columbu), he publicly dismissed rumors that he was competing. Instead, Arnold signed up as a commentator for the Olympia.

The then-reigning Mr. Olympia, Frank Zane, even asked Arnold’s advice as to whether or not he should enter the 1980 contest. Early in 1980, Zane suffered a freak accident that interrupted his training. (9) Arnold encouraged him to enter despite this disruption. Zane was worried about competing against Menzter, Dickerson, Coe and Platz. Arnold, it seemed, reassured him.

So when did Arnold actually enter the Contest? One day before the event! He traveled to Australia to commentate for CBS, who had planned to film the contest. When he announced his decision to enter, there was confusion and anger in equal measure.




[Related: What to Know About Strength Training for Bodybuilders]

At that year’s press conference, Arnold belittled competitors, disrupted discussions about the rules, and attempted to bring the spotlight onto himself. Mike Mentzer was so enraged by Arnold that he tried to attack him at the conference. As Mentzer was pulled away from Arnold, other competitors began to worry about what Arnold’s involvement would mean the following day. (10)



One factor that appeared to reassure competitors not to worry was that Arnold’s conditioning was worse than previous Olympias. Although his chest, back, and biceps were back to former glories, his legs, triceps, and midsection all lagged in definition and size. Some put him at 90% of his former glory. Others put him at 80%. (11) The general consensus among fans and competitors was that Arnold was no longer a threat.

Arnold at the Olympia
The following day, at the Mr. Olympia contest, Arnold lined up against Zane, Mentzer, and the other stars of the day. What he lacked in muscularity and leanness, he made up for with charisma. Arnold told jokes to competitors on stage to break their concentration and then jumped out of line to strike poses. (12)

The crowd at the Sydney Opera House showed their approval for the ‘Austrian Oak.’ Although few expected him to win, the sight of seeing Arnold back on stage prompted warm applause and cheering. Remember that his return was unexpected for competitors. It was an even bigger shock for those in the audience.

Surprises continued as the judges ranked the competitors. The two finalists chosen were Chris Dickerson and Arnold Schwarzenegger. Frank Zane, the reigning champion, Mike Mentzer, the favored challenger, and Boyer Coe, sporting supreme conditioning, all failed to impress. It seemed incredible that Arnold, who many said didn’t deserve a top-five finish, placed in the final two. (13)




[Related: 10 Bodybuilding Poses — What They Are and How to Do Them]

As the two men ran through their poses, many agreed that Dickerson would take the title. He was leaner, had more muscle, and presented a better visual package. Arnold, on the other hand, tried to hide flaws through clever posing and rely on his stage presence to win the day.

At the end of the night, Arnold was declared the winner. The judges awarded Arnold 300 points to Dickerson’s 292. The crowd, competitors, and even bodybuilding entrepreneurs like Ben Weider, were incensed. It is estimated that as much as 40% of the 2,000 seated spectators booed Arnold. Several competitors walked away in disgust as Arnold accepted his trophy and quickly disappeared to avoid the audience. The competition had descended into a farce. What happened? (14)



The Aftermath
In bodybuilding and fitness magazines, Arnold’s victory was instantly criticized. Iron man magazine had to edit testimonies from fans to remove all the explicit language used to describe the decision. In public and private, Ben Weider claimed Dickerson had been robbed of the title. Even Arnold kept relatively quiet. (15)

There were larger ramifications at play, too. In 1979 CBS agreed to broadcast three Mr. Olympia contests beginning in 1980. When the CBS film crew returned to the United States, they refused to produce the recordings because, in their view, the contest had been rigged in Arnold’s favor. CBS Executives even showed Chris Dickerson the footage of the 1980 contest to prove the judges’ poor decision. (16)

CBS’s relationship with the Olympia show disappeared. The decision also hurt competitor relations. Immediately after the contest, Mentzer retired from bodybuilding. Zane and Coe withdrew from smaller competitions in the immediate aftermath, and Dickerson was heralded by many as the real champion. When Ben Weider introduced Dickerson at a training seminar months after the contest he referred to him as the man who should have won the Olympia. (17)

Across the board, it seemed that Arnold’s victory was wrong. What happened? Of the seven Olympia judges, four were, in John Fair’s words, ‘arguably predisposed towards Arnold, owing largely to personal considerations.’ (18)



Some, like former bodybuilder Reg Park, were Arnold’s close friends. Others like Albeti Busek helped Arnold break into American bodybuilding in the 1960s. Even the contest organizer, Paul Graham, was Arnold’s close friend. This put others at a disadvantage including Chris Dickerson whose own mentor, Bill Pearl, had excused himself from judging owing to his friendship with Chris. (19)

Due to his close ties to the show’s promoters and his status, many folks chalked up Arnold’s victory to politics.


[Related: The Best Supplements for Bodybuilding]



Fair never claimed the contest was rigged but illustrated that Arnold was given the most favorable conditions to win, that the crowd reacted negatively to Arnold’s victory, and the media was shocked. The most damning reaction came from the IFBB (now the IFBB Professional League) which attempted to overhaul judging protocols after the show. (20)

At the November 1980 IFBB Congress in Manila, a resolution was made which forbade contest organizers from choosing the Olympia judges. Instead, an independent judging director would choose the panel. It was a clear sign that the IFBB was angered by the circumstances surrounding Arnold’s victory.

To avoid any controversies Ben Weider, IFBB President, met with Oscar Slate, the federation’s general secretary, to choose judges for the 1981 show. (21) While they hoped this would prevent further upsets, Franco Columbu’s victory at the 1981 Mr. Olympia furthered suspicions that the contests were being rigged. (That, however, is a different story.)

There is no denying the cultural and sporting impact that Arnold had on bodybuilding. Through Pumping Iron and his Olympia victories, Arnold (and his magnetic personality) propelled bodybuilding into the mainstream. He is still an influential voice in the sport, provides support and inspiration to millions, and is rightly viewed as a bodybuilding ambassador.

Summing up Arnold’s 1980 victory, John Fair suggests that Arnold’s charisma likely won him the contest. (22) It is this same charisma that means few people dispute his seven Olympia victories. Due to a combination of legacy, fortunate judging policies, and experience, Arnold won the 1980 Olympia. It is and will continue to be one of the most disputed and contested victories in all of bodybuilding.
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funk51

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Re: odds and ends [bodybuilding related.
« Reply #86 on: February 14, 2022, 12:39:53 PM »
   
&t=1s
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Re: odds and ends [bodybuilding related.
« Reply #87 on: February 14, 2022, 12:44:11 PM »
   
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Re: odds and ends [bodybuilding related.
« Reply #88 on: February 14, 2022, 03:28:23 PM »
   
&t=1s

The Comeback video ~ I have the original on VHS tape
Why is the Music Changed in that Video
It isn't Franks / Tom's or Arnold's Posing Music 🤔🤷🏻‍♂️

funk51

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Re: odds and ends [bodybuilding related.
« Reply #89 on: February 15, 2022, 05:46:11 AM »
The Comeback video ~ I have the original on VHS tape
Why is the Music Changed in that Video
It isn't Franks / Tom's or Arnold's Posing Music 🤔🤷🏻‍♂️
              copyright issues maybe.
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illuminati

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Re: odds and ends [bodybuilding related.
« Reply #90 on: February 15, 2022, 11:19:20 AM »
              copyright issues maybe.

No Doubt.  ::)

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Re: odds and ends [bodybuilding related.
« Reply #91 on: February 16, 2022, 10:06:12 AM »
 
&t=143s
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Re: odds and ends [bodybuilding related.
« Reply #92 on: February 16, 2022, 10:07:19 AM »
   
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Re: odds and ends [bodybuilding related.
« Reply #93 on: February 16, 2022, 10:14:09 AM »
  Would the Real Joe Weider Please Stand Up
OCTOBER 8, 2018 / PHILLIP CHIPMAN
A reoccurring phenomenon when researching the IFBB or the Weider brothers is the presence of controversy. As previously discussed in a different post, the establishment of the International Federation of BodyBuilding was not without its conflicts and controversies.

Naturally, it seems, as founder of the federation and as, we must acknowledge it, kingpin of bodybuilding, Joe Weider himself would not be without controversy. This post in particular will discuss Weider as a representation of himself. Put more clearly, the way Joe Weider displayed his own image in magazines and across the bodybuilding scene was, while risking being repetitive, controversial.

The Weider Brand

joe-weider_1

I’m sure many of our readers have come across the Weider brand either by accident, when shopping for supplements, or when actually researching this stuff.

As seen on the image, the Weider brand features Joe Weider (looking swole if I do say so myself) with his arms crossed.

01_02

This very logo is taken from a bust of Joe Weider that was on display in his office. Devised in 1976, was revealed to a crowd shortly after and then featured in a 1979 issue of Weider’s Muscle Builder along with the caption: “Famed Sculptor of Indian Chiefs renders mighty Woodland Hills chief Joe Weider in Bronze.”

mb7911

If you do not know what’s coming next…hold on to your protein shake.

The bust of Joe Weider, is not Joe Weider.

While the head and the mustache is, without a doubt, Weider, the body belongs to Robby ‘the Black Prince’ Robinson. Discussing with author Randy Roach, Robinson reveals that following a Mr. Universe win in 1976, he was approached by Weider claiming that the former should be immortalized in bronze, and that the cast would sit in the Weider lobby “alongside the paintings of the other greats like Larry Scott and Arnold.”

The-Black-Prince

At a special ceremony, to which Robinson was personally invited, Weider revealed the bust (Weider head added) and presented it as “the new Weider bust to be used on all our products and advertisements throughout the world.”

Additional Accusations

This was not the first time Joe Weider falsely represented himself. In the 1940s, francophone business competitor Adrien Gagnon writes that the Weiders were liars and charlatans who either represented themselves wearing suits with padded shoulders or in painting. According to Gagnon, the Weiders did this because they had no built and were afraid to show it.

In this case, Gagnon was referring to the November 1947 cover of Your Physique, featuring a painted Joe Weider, arms crossed, and looking fit.

Nov. 1947

Yet, other accusations.

This came up again in a 1960s issue of Dan Lurie’s Muscle Training Illustrated.

mti008

As noted on the cover of the January issue of MTI, Dan Lurie was challenging Joe Weider to “an open physique contest” to prove that the latter was lying about his body. This occurred after Weider was accused of pasting his head on Clarence Ross’s body decades prior. It is possible that this is referring to the same image Gagnon scrutinized in 1947.

 

 

Clarence-no13-801x1024
Nov. 1947
While Joe Weider never discussed these accusations, it is difficult to disregard the evidence.

It is important to note that Joe Weider had a developed physique when he began his publications. Being an advent weight-lifter early in his life and being surrounded by big names in the bodybuilding business, it would be surprising that Weider never abided to the various routines or did not have a body that represented his teachings. It is noteworthy as well to emphasize that, while having a developed body, the 1947 representation is exaggerated, as noticeable in the following picture of Weider dated to the late 1940s, 1950s.

joeweider-posing

As a businessman and entrepreneur, it comes to no surprise that it is highly plausible that Joe Weider represented himself in such a way to increase sales and to ensure that the belief of the success of his practices remains, well, immortalized.

1467758461-Weider_photo_3

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funk51

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Re: odds and ends [bodybuilding related.
« Reply #94 on: February 16, 2022, 12:26:40 PM »
   It turns out the old interviews are popular. Lucky, because I have a lot of them. In fact, I'm thinking of a summer project; we'll see how that goes. Here's one from Shawn Perine that was never published. Shawn, who died in 2017, was a wonderful guy. I, like everyone, have nothing but great things to say about him.
Here's Dave writing about the interview, followed by the interview:
Shawn Perine, writer-at-large for Flex magazine and creator of the informative and entertaining website IronAge requested a telephone interview for an upcoming article. We would set up a date for the conversation; Shawn would ask a series of exciting questions to which I would respond with equally exciting answers, all to be completed in 90 exciting minutes. Any sane person would have said, “Sure.”
Not me. Instead, I sent the following letter:
It’s a compliment to be interviewed and I appreciate the exposure and attention and the thought that someone might be interested in what I have to say. Truth is, I’ve read too many over-the-phone taped dialogues in which I sound as provocative and enlightening and entertaining as an old plowhorse snortin’ in the barn. Try as I might, no expression or passion is conveyed without voice inflection, gestures or the use of the right words.
Bright spontaneity is what you hope for and redundancy is what you get. “That’s what I said, yeah, but that’s not what I meant to say” is my agitated reaction to statements I throw out on tape. The truth hurts, I guess, and my on-the-spot articulation is for the birds. Plus, I am not fond of the phone and the anticipation of phone calls -- gives me hives, very itchy. Jeez, alright already, Bomber. With this in mind, let me mess with my keyboard instead.
Hardcore muscle-builders are a strange lot.
Shawn’s a cool guy, knows how to deal with the mentally disadvantaged and emotionally challenged, and said, “Whatever.”
The short background he requested: Born in Secaucus, N.J., in April of ’42; moved to Santa Monica in early summer ’63, 21 years later. Worked for Weider Barbell Co during that time until 1969 and also did some work in Hollywood and began working in heavy wood. I won Jersey in ’63, America in ’65, Universe in ’66 and World in ’70, generally competing at 230, plus or minus, at six feet.
Q) Dave, you and Governor Schwarzenegger were friends and training partners during his first few years in America. How did that come about?
        a) What was your early impression of him?
        b) Are you surprised by his latest achievement?
I met Arnold in Miami a week after he arrived in the New York area in the fall of ’68. He was competing in the Mr. Universe contest, which Frank Zane won and in which I was appearing as a guest poser. We met backstage amid the mass of busy contenders as we prepared for the evening show. Dimly lit, crowded, confusing, oily and hot, I made the best of the introduction. Arnold was bright-eyed, smiling broadly, at ease with the excitement, eager to please, child-like -- a very large and pulsating sponge soaking up every bit of his surroundings. I noticed immediately this tall and muscular fellow was aware, astute, a step ahead and to the right of the guy next to him and, indeed, very clever. I noted, too (thank God), that he was lovable.
He’s now the governor of California and I’m not surprised. In the 1980s, when there were early signs of his political interests, I thought, “But, of course. That’s what Arnold does best. He governs.” The race was interesting, fun, nuts and I hoped he’d win, thought he would, was glad he did and trust he’ll do a good job, better than anyone else could do.
Q) How did you first come to meet Joe Weider? So there was no Gold's when you first came over? What was it like training at the Dungeon?
My first set of weights consisted of a 16-inch bar and four 10s, 7.5s, 5s, 3.5s and 1.25s. They sat on the sidewalk in front of our house, my father and brothers peering over my shoulder as I tried to make sense of them. I was 10, the iron weighed a ton and the family fan club quickly lost interest. Who remembers the details of discovery, but I pushed and pulled and rolled that iron in all directions over the years, in the basement on an old mattress, in the corner of a bedroom occupied by me and two bigger brothers and in the yard under a rotting maple. Over time, by accident and luck and the grace of God, I grew, and my high school gym teacher began calling me “Arms.” Time for more weight and another bar or two.
Oddly enough or wouldn’t-ya-know-it, the weights were made by Weider and his offices, foldout couch and shower, showroom, research clinic (an imaginary space) and warehouse -- the whole catastrophe -- was in Union City, only a bus ride and long walk from where I lived. I found myself on the doorstep of Weider Barbell Co. making purchases with my teenage fortune. Leroy Colbert, slick as a panther, made sure I got what I needed -- bars, collars and plates -- and gave me a heart full of inspiration based on a knowing grin and huge and powerful muscles. I later measured his arms at 20 and a half, cold as ice.
One day while struggling toward a bulky 220 pounds or whatever and adding a pair of 35s to my collection, I met Joe Weider at the loading platform, who asked me how he looked -- what can ya say? -- and did I want a part-time job. The answer to the second question was easy. Sure; it’s me and Leroy and seated dumbbell alternate curls in the stockroom.
Six months later, after winning Mr. N.J., I transferred to the other side of the world… California. The Beach Boys were singing “Surfer Girl.”
California has a bad rap today because the world is full of dumb people, but remains the land of wonder and plenty. Santa Monica was the Garden of Eden after 21 years in the Garden State and pig farms and swamps and dirty rivers. The Dungeon was a palace where the original kings and princes and knights and warriors met to play noble games -- my gym and I’m proud of it, bub.
It was also dark and dank and crumbling; it was broken down and fixed and broken again. It was a large, awful space dug out of the ground on the corner of 4th and Broadway upon which sat a century-old hotel and its faulty plumbing. But, oh, the atmosphere oozed from every rusty bent bar and pair of rattling dumbbells, every clang of steel, every heated set and burning rep.
The 2x4s held together by carpenter’s nails to suggest a bench supported the back of George Eiferman as he slowly did his perfect reps with 425. Peanuts West moved mucho iron from that power rack of oversized beams in the middle of the puddle of diluted beer dripping from the upstairs time-warped tavern, a watering hole for the old and inebriated.
Atmosphere doesn’t come from a paint brush or a wall decoration or an expensive carpet; it comes from the passing of time over a place or a thing, the heavy impression of memory, the lingering breath and experience of original characters who live once and forever: Reeves, Eiferman, Gene Shuey, Zabo, Joe Gold, Artie Zeller, Chuck Collras, Chuck Pendleton, Dick Dubois, John Tristram, Hugo Labra, Danny Vafiadis, Steve Merjanean, Chuck Ahrens.
Environment can supercharge the air or it can bury you alive. The Dungeon, once the Muscle Beach of sand and sea and finally displaced to the Muscle Beach Gym on 4th, became the launching pad of the greatest era of bodybuilding for the world’s greatest bodies.
In the middle of the 1960s the Dungeon ironically offered itself up as a sacrifice to the growing population and man’s hungry needs; as Joni Mitchell predicted, “They put up a parking lot.”  The subterranean castle became a five-story parking garage.
Enter Joe Gold’s Gym. Talk about solid, bold and mighty.
Q) What was it like training in Gold's back then?
        a) Who else was training there with you?
        b) Is it true that you were its first member? If so, how did that happen?
I don’t know how it is for you, but changing gyms in the middle of life is like trading your faithful old dog for a new one. No way, no thanks; I like the way he drools.
I sat there on ground level with the bright light of day pouring through the windows and skylights of Joe’s first muscle emporium, surrounded by walls of mirrors and Olympic bars that weren’t bent and dumbbells that weren’t cracked and steel machinery that purred and hummed. I sat, then stood and walked in a circle and sat again. I didn’t know what to do.
The mirrors were immediate enemies. That I couldn’t hide in dark, shadowy corners was uncomfortable, almost miserable. But there’s a clean, working toilet at the top of the stairs -- the relief, you have no idea -- and there’s a huge spotless shower. I lay down and proceeded to knock out reps with a straight, well-knurled and rust-free bar without picking up a splinter in the backside. I can get used to this.
Joe put together a first-class hardcore gym with rugged steel benches of varying dimensions and degrees of incline, oversized pulleys for smoothness, sturdy racks for curling, pressing and squatting and platforms for powerlifting and Olympic lifting. The place was charmed. No crowds, no music, no hustle, no hassle, long hours, and Joe said, “It’s free, Draper.”
I had no money so I agreed.
The year was 1966 and it was the beginning of The Golden Era of Bodybuilding. Frank and Christine Zane and Arnold and Franco and Giuliani and Chet Yorton and big Mike Katz showed up in those months throughout ‘65, ’66, ’67 and ’68. The fever had begun in ’62 with Larry Scott and Don Howorth and Bill McArdle out of Vince Gironda’s gym and coincided with Bill Pearl at his gym in East LA and Chuck Sipes bending spikes in Northern California, Boyer Coe in Louisiana dueling it out with Casey Viator over the new-rage of Nautilus contraptions, Sergio in Chicago spreading his wings like an eagle, Dennis Tinnerino and Chris Dickerson in NYC with more to come from under rocks and out of trees.
And, you know what was weird? They all trained like animals; they all liked each other and they all looked different.
Different bodies with different minds, chemistry, genes and motives groped about with differing results. Some trained harder than others; some cruised, many were good and a few were great. I hooked up with a Mr. California Muscle Beach original, Dick Sweet, who pointed me in the right direction and I haven’t veered more than five degrees since: straight ahead, around the strains and hurts, with intensity, volume, focus and form. Superset and keep your eye on power, use common sense and depend on your intuition, rest only when you’re certain you’re fatigued, and watch out for the devils of procrastination, laziness, carelessness and disorder.
I adopted the precepts as my credo, chiseled them onto my forehead, the blood dried and the scars remain.
Q) So what was your training split like back then (late ‘60s)? The current vogue is less frequency, more rest between workouts. But you guys weren't so concerned with overtraining back then, were you?
        a) Arnold has said that you were an intense trainer, which is why he liked you for a partner. What was your experience training with him like?
        b) Did you ever partner up with any other big names?
One thing has changed over the years: I’m older. I’ve altered my training a bit here and there to accommodate for recuperation (same intensity, but down from six days a week to four) and injury (groove modifications, exercise substitutions, abbreviated ROM). But the supersets and volume in sets and reps remains high and intense and the same bodypart groupings follow me everywhere: chest, shoulders and back, bis and tris, and legs. I always include squats and deadlifts in my schemes, midsection every day and aerobics in emergency only.
I’m old-fashioned like the wheel. I don’t believe in the training philosophy and techniques distributed today. They match the times and are suitable for the new mentality and are better than nothing. Train hard has become train hardly. One bodypart a day, once a week works okay for the intermediate guy or gal trainee, but not for the beginner. Overtraining has frightened the pants off most under-muscled athletes and they take layoffs in search of growth. The secret patch, lotion, pill, drink, powder or stack for leanness and might is sought like the winning Lotto ticket or the Holy Grail.
It’s the gym; it’s the hard work, the smart eating and the right attitude, stupid. (Sorry, I couldn’t help myself.)
There is no philosophy in today’s bodybuilding community and the deep information comes from researchers and pseudo-researchers, schooled page-turners with pencil necks, the advertising world with dollar signs in their eyes, heavily certified yet lightly muscled personal trainers and knurly guys loading up their system on this and that from the skull-and-crossbones pharmaceutical underground.
I had three training partnerships in the dungeon days, each enduring a year. They were strong, reliable and complementary -- we motivated and learned from each other. You wouldn’t know them; I don’t know where they are today and I miss them. Arnold and I hooked up our training frequently, but not regularly. We would meet at Joe’s in the early evening and collaborate, merge our routines where and when they accented one another and encouraged and motivated each other as we pushed the iron. This became a favorite method of training as there was no obligation or dependency or disappointment. Our strength and motives were corresponding and we blasted it side by side when the time was right, thus assuring super energy and enthusiasm. Arnold trained like a workhorse and I lifted like a crane, nothing fancy, nothing pretty, and not short n’ sweet.
Frank Zane and I met at the original Gold’s Gym as the sun came up during 1970 to guarantee consistent and rigorous midsection and calf training in preparation for the many events to follow in the fall of that year. A solemn team, we were on a mission with compulsion in our blood.
Every evening, as the summer weeks rolled by, a gang of us would convene to gorge ourselves on the iron and steel: Arnold, Franco, Zane, Big Mike Katz, Corney, Waller, Padilla and me. In the fall of that year, Arnold won the Olympia, Zane the Universe in London, Katz the Mr. America in NY, Franco the Universe in NY and me, the World title.
Artie Zeller, the world’s greatest candid physique photographer, caught us in action in a series of almost-alive B&Ws that remind us why we train, should we forget. I’ll bet one or two of his picture stories are displayed in the nearby pages to accompany this article. Thanks, Artie.
Q) What was your knowledge of nutrition back then?
        a) How was your diet comprised?
        b) Did you use Rheo Blair products? Were they as amazing as many claimed?
Though I wrestled with the iron for years growing up in Jersey, I didn’t really learn anything till I moved to Muscle Beach. It was there in all its unconstrained simplicity that lifting weights and building muscle became clear. The basics in nutrition and exercise were discovered, established and practiced. Why fix what works and ain’t broke, it was agreed: Train hard, eat right and grow. 
The diet information I acquired in the early ‘60s, the basic bodybuilder’s diet being restored today for all of mankind, came from the struggling Muscle Beach and Screen Actor’s Guild members who didn’t work much beyond studio calls and made every penny count: high protein, low carbs and medium fat -- meat, milk, eggs, fruit and salad, and don’t forget your vitamin and mineral supplements and some protein powder. They knew this menu built muscle and provided energy and kept the bodyfat low. Why? ‘Cuz, that’s why. Ask anyone. Try it. Today, 40 to 50 years later, there are stacks of books that have made the subject of nutrition no clearer or more appealing -- just lots of research, study, facts, data and confusion. What are we, nuts?
One fine spring afternoon I hopped on the 405 freeway and sped merrily to Long Beach to visit with Rheo H Blair, my new friend through my good friend Larry Scott. The vehicle was my hopped-up jewel-blue dune-buggy and the passenger was my hopped-up in spirit, muscle and might 21-year-old Austrian companion in a torn T-shirt, now the governor. Zoom Zoom.
Rheo, a self-made nutritionist whose specialty was building lean mass, considered it a life-or-death matter to meet Arnold and offer him a basket of his popular food supplements as a welcome-to-America gift. How could I refuse?
“Thanks, Rheo,” in broken English, “You are American champion. We must go.”
The fiberglass dune buggy was topless and reminded me of a freeway surfboard. It skidded about as I weaved my way home through traffic at what seemed like incredibly high speeds; nothing was in focus but the setting sun.
Arnold sat in the back seat, which was raised like a throne to accommodate the screaming engine below, clutching a chrome roll bar for support. More than once he stood up and roared at the cars to the left and the right with a clenched hand raised high punching the air, his hair straight out, eyes squinted and tearing and a grin as big as his biceps pumping up his face -- a warrior commanding his chariot.
A generous supply of Blair’s protein, choline and inositol sat on the floor beside us, our booty, the secret stuff of muscles in a box. Thank God life is made up of moments such as these. Let someone else govern California, the lad’s busy. We made it home unscathed in time for squats.
Q) You were known for having a great back before having a great back was required. Did you put extra emphasis on back? There was a heroic aspect to physiques back in the ‘60s and ‘70s that included a huge upper body tapering down to a slim waist and muscular but streamlined legs. Was this part of the plan?
The field was less crowded in those days and each guy stood out (it was mostly guys in the gym back then). The iron was applied vigorously, the protein consumed generously and the muscle grew according to an internal blueprint. Katz had the ribcage and chest, Zane the perfect symmetry, Arnold stood tall with magnificent arms, Franco had awesome rock-hard power and muscularity, Sergio contrasted a wasp-waist and with incredible thickness, Tinnerino was a large chiseled stone, Pearl displayed mass and might with perfection, Rick Wayne was flowing hot lava, Howorth brought on the shoulders, Scott was a pile of rocks and I, some say, had a back. Heavy bent-over barbell rows, dumbbell rows, wide-grip chins and pulldowns, seated lat rows, pullovers and deadlifts will do that to a guy if he keeps it up. Back power and vitality serves a lot of good purposes for a long time, I always thought, and pulling is just plain fun.
My first training partner -- a slick Mr. California in ’64 -- and I looked at Reeves and said, “He da man.” Taper was sought by most early bodybuilders and legs were trained enough to serve as platforms for the lean V-shaped upper body -- the sweet look. The “sweet look” has left the building.
Q) What are your thoughts on the development and balance of today's physiques?
        b) If you had a say, what would be a change you would like to see in today's version of the sport?
I’m awestruck, but not jealous. I’m largely impressed, slightly intimidated and sufficiently understanding. The grand size and bursting muscularity has exceeded the bounds of the eye and human comprehension. Thus, I suggest pro bodybuilding has become an extreme sport, like spiraling off cliffs on snowboards, dirt bikes or skateboards: daring, not forgettable, but not inspiring either. Who among the crowd can identify with or strive for the proportions of the creatures on the stage or magazine covers before them? Like the Terminator, Isis and Batman, they are heroes, but how does a young man or woman live with them in their hearts?
The XXX-extreme culture will live on, as long as it draws the crowd and provides the buck. The rest of us will look on, shake our heads and curl our clunky dumbbells, hoping for some muscles from our blood, sweat and tears. There’s real gold in that body of yours, not the fool’s gold we see glittering in the mountains.
Q) What is your training like today?
Like yesterday’s, only I love it more. Briefly, the same fundamental techniques (supersets mixed with power and singles, five sets of this or that x12, 10, 8, 6, 4 reps, max intensity based on risk and abuse factors, modifications in groove to accommodate limitations from 60 pushy years on a rocky planet).
And oddly, or not so oddly, the same motivations: be strong, have big muscles and good shape and lift the iron repeatedly. Smart as ever, never learn.
12. If you could go back in time and tell yourself dos and don'ts based on your bodybuilding perspective today, what might they be?
Honestly, I’d do it the same, mistakes, injuries and the wasting of time. Muscle building, is specifically but not solely about building muscle. It’s about building your life and character and person… your body, mind and soul.
You want to learn? Pay attention to your mistakes, be willing to make them and don’t punish yourself or feel guilty because of them.
Are you seeking growth? Waste some time.
Need a crash course in character building? Embrace the injury and listen to the pain. Impatient? Persevere! Bored? Persist!
Doubtful and lack confidence? Be strong and courageous; it’s there and a whole lot more to come. Lost direction, in the gym, at home, on the job, in relationships -- go back to the gym, now. Things get worse if you don’t and better when you do.
It would be a cool world if everyone trained hard and ate less sugar.
Above all, go with God.
The End
Or is it just the beginning?
The Bomber
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funk51

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Re: odds and ends [bodybuilding related.
« Reply #95 on: February 16, 2022, 01:08:03 PM »
 
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funk51

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Re: odds and ends [bodybuilding related.
« Reply #96 on: February 16, 2022, 01:11:23 PM »
 
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Re: odds and ends [bodybuilding related.
« Reply #97 on: February 16, 2022, 01:15:36 PM »
Great stuff as always Funk....gonna` definitely take out some time of my otherwise busy day on here to read some of it.

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Re: odds and ends [bodybuilding related.
« Reply #98 on: February 16, 2022, 03:09:51 PM »
   American War Hero & Coal Miner Charles Dennis Buchinsky:
In 1943, Buchinsky left his job at the mine and decided to serve in the United States Army, responding to his America’s call to arms with World War II already in full swing.
Originally known as Charles Dennis Buchinsky, Charles Bronson was born on November 3, 1921, into a Roman Catholic family with Lithuanian ancestry. He was born in Ehrenfeld, Pennsylvania, within the coal region of the Allegheny Mountains, an area that stands to the north of Johnstown, Pennsylvania.
Bronson was one of 15 children in a very poor family. In some stories that have been told about him, it was said that his family was so impoverished that one day he went to school wearing one of his sister’s dresses because he had no clothes of his own that were fit to be worn.
As a teenager, Bronson learned the English language, having already been introduced to Lithuanian and Russian. He made family history as the first person from his family to graduate from high school.
Bronson’s father died when Bronson was ten years old. During the following years, he had to labor in the coal mines to keep himself and his family afloat. At first, he worked in the mining office before he transferred into the mine.
Bronson was paid a dollar for every ton of coal he successfully mined, which was very little, even at the time. However, he worked at the mines for eight years.
In 1943, Bronson left his job at the mine and decided to serve in the United States Army, responding to his America’s call to arms with World War II already in full swing. He was 21 at the time, and the army would mark the beginning of new things for Bronson.
Some sources insisted that Bronson never flew as a bomber gunner in WWII but rather drove a delivery truck for the 760th Mess Squadron in Kingman Arizona. However, his colleagues and people with information came out to defend him saying that he flew as a nose gunner and not a driver in the squadron, leading to apologies from US newspapers.
The late war veteran was a private man who rarely spoke about his war experiences. He enlisted in the United States Army Air Forces and first served in the 760th Flexible Gunnery Training Squadron.
It was in 1945, when Bronson served as a Superfortress aerial gunner with the 61st Bombardment Squadron in Guam, that he was involved in combat missions against Japan. The 61st Bombardment Squadron was within the 39th Bombardment Group, and while serving with this unit, Bronson flew 25 missions, many of them fraught with danger.
On one of those missions, he was involved in combat and sustained injuries to his arms. The aftermath of this engagement altered the course of his life. He earned a Purple Heart for the injuries he sustained in service, and eventually retired from the Armed Forces.
Bronson was not what you might consider a star of WWII. He was just a soldier doing his duty, a duty into which he may have been pushed by the lack of many other options in his life.
But he did the best he could, and the Purple Heart he received attested to the fact that he put his country before himself in his three years of service.
After the war, Bronson decided to make the most of the opportunity he got from the United States Army. Using the funding he got from the GI Bill, he studied art and decided to move into acting.
Bronson’s first movie roles were uncredited ones. One such movie in 1951 was You’re in the Navy Now, directed by Henry Hathaway, in which Bronson played a sailor.
The name “Charles Bronson” would have not come into being if not for Senator Joseph McCarthy and the Second Red Scare of the 1950s.
The Red Scare followed on from the end of WWII. There were increased fears of espionage activities from communist nations, particularly the Soviet Union.
The situation was aggravated with several known people in the US government confessing to being spies for the Soviet Union. To save his career from getting caught in the crossfire, Charles Buchinsky changed his name to Charles Bronson.
Bronson would go on to become one of the highest paid actors in the industry in an inspiring “from rags to riches” style. Despite his war injuries and the trauma he dealt with, he still went on to pursue his dreams.
Bronson died when he was 81 years old in 2003 after undergoing hip surgery five years beforehand. The causes of his death were cited as respiratory failure and metastatic lung cancer. He was buried at Brownsville Cemetery, in Vermont.
Although the tough man actor Charles Bronson is deeply missed by his many fans, the real story of Charles Dennis Buchinsky will always be an inspiration to those lucky enough to hear it.
The Giant Killer book & page honors these incredible war heroes making sure their stories of valor and sacrifice are never forgotten. The book which features the incredible life of the smallest soldier, Green Beret Captain Richard Flaherty (101st Airborne & 3rd SF Group 46th Co.) and several of the other heroes featured on this page is available on Walmart & Amazon. God Bless our Vets!
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funk51

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Re: odds and ends [bodybuilding related.
« Reply #99 on: February 16, 2022, 03:11:07 PM »
Great stuff as always Funk....gonna` definitely take out some time of my otherwise busy day on here to read some of it.

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