Arthur Fleeber’s
Guns N Provolone, which draws from Karl Marx’s
Das Kapital, Immanuel Kant’s
Critique of Pure Reason, and the Lake Tahoe scene from
Godfather II for the sake of providing an Archimedean paradigm that strips uncanny
(Unheimliche) elements from existence to fashion a stable foundation upon which to feel at-home (
zu Hause) in the world.