So much for "Obama Love." That's the title of John McCain's new web ad, which strings together clips of cable news pundits gushing over Obama like besotted teens. This romance has been a prominent story line of Obama's entire campaign, and clearly elements of it are true: "I felt this thrill going up my leg," Chris Matthews crows in one clip flagged in the ad. But scratch the surface, and you'll find a lot of mixed feelings behind the Obama "love." Reporters are grumbling more and more that the campaign is acting like the Prom Queen. They gripe that it is "arrogant" and "control[ling]," and the campaign's own belief that Obama is poised to make history isn't endearing, either. The press certainly helped Obama get so far so fast; the question is, how far can he get if his campaign alienates them?
Last year, when Hillary Clinton campaigned as a front-runner, Obama provided access to the press corps and won over the media. One night, during a campaign stop in Iowa, he met reporters for off-the-record drinks. He cooperated for magazine profiles and appeared on the cover of GQ. And Clinton's relationship with the press wasn't half as easy. "The difference is the Clinton people were hostile for no reason," a reporter who has covered both Democrats tells me.
But, as Obama ascended from underdog to front-runner to presumptive nominee, the flame seems to have dwindled. Reporters who cover Obama these days grouse that Obama's flacks shroud the campaign in secrecy and provide little to no access. "They're more disciplined than the Bush people," a reporter on the Obama trail gripes. "There was this idea of being transparent, but they're not. They're total tightwads with information."
In June, there was something of a revolt after Obama ditched the press corps on his campaign plane for a secret meeting with Clinton at Senator Dianne Feinstein's house in Washington, leaving the reporters trapped on the flight to Chicago. The D.C. bureau chiefs of half a dozen news organizations, including the late Tim Russert, sent an angry letter to Obama aides Robert Gibbs and David Plouffe and threatened not to reimburse the campaign for the cost of the flight. "The decision to mislead reporters is a troubling one," they wrote. "We hope this does not presage a relationship with the Obama campaign that is not based on a mutual respect for the truth." After the incident, the press corps decided that one pool reporter would keep Obama in sight at all times. "It's a body watch," one reporter jokes.
Meanwhile, there have been widespread complaints over the shortage of spots to accompany Obama on his tour of the Middle East and Europe. A few days before the tour departed, Time magazine was told it couldn't send a photographer along, and, on July 22, NBC foreign affairs correspondent Andrea Mitchell complained on-air that the only images the press had received of Obama meeting with the troops was released by the U.S. military. (To be fair, congressional delegations to Iraq are kept secret for security purposes). And there's been widespread grumbling that the campaign revoked New Yorker writer Ryan Lizza's spot on the trip as retribution for the magazine's recent satirical cover. These may or may not be legitimate complaints--the evidence is mixed--but the press is hardly inclined to give the campaign the benefit of the doubt.
Obama's press liaison, Robert Gibbs, has built a particularly large reservoir of ill will. David Mendell, who covered Obama's Senate campaign for the Chicago Tribune and authored the 2007 Obama book From Promise to Power, wrote about Gibbs as "the anti-Obama" and described him as "Obama's hired gun, skillfully trained to shoot at reporters whose coverage was deemed unfair. Mendell tells me, "if [Gibbs] feels you're necessary to achieve a campaign goal, he will give you access and allow you in. But, if he feels you're not going to be of help, he can just ignore you." Mendell has his own specific gripe: Apparently, the Obama team was less than pleased with his biography, on which they cooperated, and Gibbs has since refused to help with the second edition.