You didn't answer my question. Do you feel you have a right to something that belongs to me and that I'm trying to sell and give it away for free?
We are always getting raped in the ass, as artists. First it was the club owners that would pay fuck all. Then it was the record companies that penned shitty contracts. Then it was concert promoters that would whip the bands like slaves for more gigs, more effort, more travel, while the ticket distributers raised prices and pocketed the difference. Now it's "fans" that are too cheap to pay 99 cents for a song. Lame.
That's what it all boils down to, people feel like they are entitled to anything and everything. People need to start doing the right thing and then we wouldn't have government or big corporations getting invovled which is the way I would perfer it and you know that to be true.
We'll just have to agree to disagree on this one.
No, I will answer your question.
I don't think I am entitled to your work.
If someone share your song to me, I think I can share it however I want though.
So how are you supposed to get paid?
If you're not prepared to get out of your living room and start touring?
First of all, we don't know how tomorrows type of music industry will look like exactly.
I just know that we can't and shouldn't try to stop the technology with laws that can threaten our integrity and democratic rights.
But what I see is that I when I turn on the computer and watch eg espn's website and clips from it, and there is a commercial there, perhaps you have a song on one of them.
Now, in the past the commercials may not have paid all that much.
But since could potentially not be paying anything for private filesharing in the future, and we will still be spending the same kind of "media dough", the media outlets will be paying more money for those commercial tunes.
Now you may object - but they will just pick famous songs.
I doubt it. Look at that song "Veneer", that accompanied those millions of tennis balls bouncing down San Franscisco in that commercial the other year.
Media makers will be looking to find unique songs to make standout commercials.
But that's of course not the only way to finance.
My point is that the "media budget" for the households" have remained the same, even after Napster and the filesharing era.
And as you pointed out yourself, small artists were given the shaft before.
Now they have a chance on getting their songs out on the internet and to be heard, without being filtered and controlled by the fcuking record companies.
I think you should look at the opportunities instead of the negatives.
I really mean no offence, and I actually am trying to get my point across here.
