Author Topic: Progressive beats thread  (Read 193489 times)

DroppingPlates

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Re: Progressive beats thread
« Reply #700 on: May 03, 2015, 05:03:51 PM »
Lange was born in Shrewsbury. His career began in 1997, signing his first recording contract with Additive Records in the UK. Early popularity was achieved with a collection of releases attracting the attention of industry leaders such as Paul van Dyk, Sasha, Paul Oakenfold and Judge Jules.

A mixture of slow build-ups and melodic choruses gave Lange several hits in the UK Singles Chart. His first success was his remix of DJ Sakin's "Protect Your Mind", which became a club track. This was followed by his Lost Witness "Happiness Happening" remix. Other remix credits include work for Faithless and The Pet Shop Boys (the Lange remix of "New York City Boy" featured on their PopArt album's bonus "remix disc").


http://en.wikipedia.org/wiki/Lange_%28musician%29








FitnessFrenzy

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Re: Progressive beats thread
« Reply #701 on: May 06, 2015, 08:20:46 AM »

FitnessFrenzy

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DroppingPlates

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Re: Progressive beats thread
« Reply #704 on: May 13, 2015, 03:00:54 PM »

DroppingPlates

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Re: Progressive beats thread
« Reply #705 on: May 13, 2015, 03:03:13 PM »
Celldweller's latest jewel, Transmissions volume II




Acid Bath 00:00
Lost in My Own Little World 03:06
Something for Someone 09:37
Polygon Girl 14:10
Frequency Scan 20:02
Midnight Train 24:23
A Storm on Saturn 28:45
Sentient 43:03
Event Horizon 55:52

FitnessFrenzy

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Re: Progressive beats thread
« Reply #706 on: May 16, 2015, 12:22:46 PM »

The Ugly

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Re: Progressive beats thread
« Reply #707 on: May 17, 2015, 01:28:42 AM »
Do the iTunes 'beat' downloads come with a lubed dildo, or is that separate?

IronMeister

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Re: Progressive beats thread
« Reply #708 on: May 17, 2015, 02:04:03 AM »

FitnessFrenzy

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Re: Progressive beats thread
« Reply #709 on: May 22, 2015, 05:44:24 AM »

devilsmile

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Re: Progressive beats thread
« Reply #710 on: May 22, 2015, 05:49:03 AM »
for your 2 hour cycling/marathons or just driving like hell

positive nostalgic vibes, incredible highs in this  8)



Pork_Chop

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Re: Progressive beats thread
« Reply #711 on: May 22, 2015, 06:27:01 AM »
Good tracks lads.

This is immense, Kauf is really producing some quality:

https://soundcloud.com/kauf/public-service-broadcasting-go-kauf-remix

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Re: Progressive beats thread
« Reply #712 on: May 22, 2015, 06:28:09 AM »
Nice bubbling bassline


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Re: Progressive beats thread
« Reply #713 on: May 22, 2015, 06:29:32 AM »
1992 - another killer bassline, might not come through a PC speakers though


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Re: Progressive beats thread
« Reply #714 on: May 22, 2015, 06:30:27 AM »
Good New Order remix by Jovani


DroppingPlates

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Re: Progressive beats thread
« Reply #715 on: May 23, 2015, 06:00:00 AM »
1992 - another killer bassline, might not come through a PC speakers though


KLF like beats, ol skool rocks!
Yes, a good earphone is required for this thread.

FitnessFrenzy

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Re: Progressive beats thread
« Reply #716 on: May 25, 2015, 01:51:50 PM »

The Ugly

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Re: Progressive beats thread
« Reply #717 on: May 25, 2015, 05:20:42 PM »
Epic UK beats.


DroppingPlates

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Re: Progressive beats thread
« Reply #718 on: May 30, 2015, 02:39:51 PM »
Trans Canada Highway is an EP by Boards of Canada. As described by Boards of Canada and Warp Records, the EP "visits a darker place, a glacial place, away from the warmth and light of The Campfire Headphase." Those who ordered the EP directly from Warp also received a sticker and a free copy of the Dayvan Cowboy music video.
Originally scheduled for release on 06/06/06 (perhaps to further their occult mythos), the release date was bumped up to 29 May 2006 (a day later in the US), due to what was described on the Warp website as "unanticipated satanic activity." The nature of this activity, whether it was directly related to Boards of Canada or not, has never been explained.


http://bocpages.org/wiki/Trans_Canada_Highway




1. "Dayvan Cowboy" – 5:01
2. "Left Side Drive" – 5:20
3. "Heard From Telegraph Lines" – 1:09
4. "Skyliner" – 5:40
5. "Under The Coke Sign" – 1:31
6. "Dayvan Cowboy (Odd Nosdam Remix)" – 9:01

O.Z.

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Re: Progressive beats thread
« Reply #719 on: May 31, 2015, 01:29:02 AM »
nice remix of Gypsy Woman with some great bass


FitnessFrenzy

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Re: Progressive beats thread
« Reply #720 on: June 02, 2015, 11:36:25 AM »

Sokolsky

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Re: Progressive beats thread
« Reply #721 on: June 02, 2015, 05:09:52 PM »

.

DroppingPlates

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Re: Progressive beats thread
« Reply #722 on: June 06, 2015, 05:08:45 AM »
Welcome to the world of Brooklyn duo Beacon, who explore the dark side of the sweet melody with a sound that’s as seductive as it is subtly discomfiting. The duo – Thomas Mullarney III and Jacob Gossett – met at Brooklyn’s Pratt Institute, where they were studying sculpture and painting respectively. As with many other great musical partnerships, this one involves two disparate sets of influences coming together to form a sound that’s both fresh and exciting. They fuse the deceptively sweet melodies of R&B with an intoxicating undercurrent of darkness, drawing on influence as disparate as Warp’s back catalogue and Underworld.

http://ghostly.com/artists/beacon







FitnessFrenzy

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Re: Progressive beats thread
« Reply #723 on: June 06, 2015, 05:53:46 AM »

DroppingPlates

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Re: Progressive beats thread
« Reply #724 on: June 07, 2015, 03:47:44 PM »
Bvdub is an American electronic music producer originally from the San Francisco Bay Area. Since 2007 he has released more than 40 albums and EPs under this name and other pseudonyms including his birth name, Brock Van Wey. Residing in Shaoxing, China, he produces ambient and ambient techno music that has received critical acclaim from the likes of online magazines Resident Advisor, Headphone Commute and Gridface. His first release as Brock Van Wey, White Clouds Drift On And On, was included in RA's Top 20 Albums of 2009.

Overview
Brock was born in 1974 and grew up in Livermore near San Francisco. He was classically trained as a child and from the age of five he was taught violin and, later, piano. By age eleven he had composed his first piece of music for the trio of cello, violin and viola and had written several more pieces by his mid-teens. Feeling that he did not actually enjoy classical music (and preferring instead to "remix" the pieces he learned in his head) he eventually gave it up altogether. In the early 90s he heard, by chance, a deep house mix tape that would inspire him to pursue electronic music. He was soon performing as a deep house and ambient DJ and appearing regularly at raves in San Francisco, initially under his own name and later under the bvdub moniker. Van Wey composed his first electronic piece in 1993 - an industrial techno/classical track - that differed significantly in style to the music he would later produce.


http://en.wikipedia.org/wiki/Bvdub