Stranger - devil/satan
'But here is a question that is troubling me: if there is no God, then,
one may ask, who governs human life and, in general, the whole order of
things on earth?'
'Man governs it himself,' Homeless angrily hastened to reply to this
admittedly none-too-clear question. `Pardon me,' the stranger responded
gently, 'but in order to govern, one needs, after all, to have a precise
plan for certain, at least somewhat decent, length of time. Allow me to ask
you, then, how man can govern, if he is not only deprived of the opportunity
of making a plan for at least some ridiculously short period - well, say, a
thousand years - but cannot even vouch for his own tomorrow?
`And in fact,' here the stranger turned to Berlioz, 'imagine that you,
for instance, start governing, giving orders to others and yourself,
generally, so to speak, acquire a taste for it, and suddenly you get
...hem... hem ... lung cancer...' - here the foreigner smiled sweetly, and
if the thought of lung cancer gave him pleasure - 'yes, cancer' - narrowing
his eyes like a cat, he repeated the sonorous word - 'and so your governing
is over!
'You are no longer interested in anyone's fate but your own. Your
family starts lying to you. Feeling that something is wrong, you rush to
learned doctors, then to quacks, and sometimes to fortune-tellers as well.
Like the first, so the second and third are completely senseless, as you
understand. And it all ends tragically: a man who still recently thought he
was governing something, suddenly winds up lying motionless in a wooden box,
and the people around him, seeing that the man lying there is no longer good
for anything, burn him in an oven.
'And sometimes it's worse still: the man has just decided to go to
Kislovodsk' - here the foreigner squinted at Berlioz - 'a trifling matter,
it seems, but even this he cannot accomplish, because suddenly, no one knows
why, he slips and falls under a tram-car! Are you going to say it was he who
governed himself that way? Would it not be more correct to think that he was
governed by someone else entirely?' And here the unknown man burst into a
strange little laugh.
Berlioz listened with great attention to the unpleasant story about the
cancer and the tram-car, and certain alarming thoughts began to torment him.
'He's not a foreigner... He's not a foreigner...' he thought, 'he's a
most peculiar specimen ... but, excuse me, who is he then? ...'
You'd like to smoke, I see?' the stranger addressed Homeless
unexpectedly. "Which kind do you prefer?'
'What, have you got several?' the poet, who had run out of cigarettes,
asked glumly.
'Which do you prefer?' the stranger repeated.
'Okay - Our Brand,' Homeless replied spitefully.
The unknown man immediately took a cigarette case from his pocket and
offered it to Homeless:
'Our Brand...'
Editor and poet were both struck, not so much by Our Brand precisely
turning up in the cigarette case, as by the cigarette case itself. It was of
huge size, made of pure gold, and, as it was opened, a diamond triangle
flashed white and blue fire on its lid.
Here the writers thought differently. Berlioz: 'No, a foreigner!', and
Homeless: 'Well, devil take him, eh! ...'
The poet and the owner of the cigarette case lit up, but the non-smoker
Berlioz declined.
'I must counter him like this,' Berlioz decided, 'yes, man is mortal,
no one disputes that. But the thing is...'
However, before he managed to utter these words, the foreigner spoke:
'Yes, man is mortal, but that would be only half the trouble. The worst
of it is that he's sometimes unexpectedly mortal - there's the trick! And
generally he's unable to say what he's going to do this same evening.'
`What an absurd way of putting the question ...' Berlioz thought and
objected:
'Well, there's some exaggeration here. About this same evening I do
know more or less certainly. It goes without saying, if a brick should fall
on my head on Bronnaya. . '
'No brick,' the stranger interrupted imposingly, `will ever fall on
anyone's head just out of the blue. In this particular case, I assure you,
you are not in danger of that at all. You will die a different death.'
Same enening
Berlioz, not stopping to listen to the cadging and clowning
choirmaster, ran up to the turnstile and took hold of it with his hand. He
turned it and was just about to step across the rails when red and white
light splashed in his face. A sign lit up in a glass box: 'Caution
Tram-Car!'
And right then this tram-car came racing along, turning down the newly
laid line from Yermolaevsky to Bronnaya. Having turned, and coming to the
straight stretch, it suddenly lit up inside with electricity, whined, and
put on speed.
The prudent Berlioz, though he was standing in a safe place, decided to
retreat behind the stile, moved his hand on the crossbar, and stepped back.
And right then his hand slipped and slid, one foot, unimpeded, as if on
ice, went down the cobbled slope leading to the rails, the other was thrust
into the air, and Berlioz was thrown on to the rails.
Trying to get hold of something, Berlioz fell backwards, the back of
his head lightly striking the cobbles, and had time to see high up - but
whether to right or left he no longer knew - the gold-tinged moon. He
managed to turn on his side, at the same moment drawing his legs to his
stomach in a frenzied movement, and, while turning, to make out the face,
completely white with horror, and the crimson armband of the woman driver
bearing down on him with irresistible force. Berlioz did not cry out, but
around him the whole street screamed with desperate female voices.
The woman driver tore at the electric brake, the car dug its nose into
the ground, then instantly jumped up, and glass flew from the windows with a
crash and a jingle. Here someone in Berlioz's brain cried desperately: 'Can
it be?...' Once more, and for the last time, the moon flashed, but now
breaking to pieces, and then it became dark.
The tram-car went over Berlioz, and a round dark object was thrown up
the cobbled slope below the fence of the Patriarch's walk. Having rolled
back down this slope, it went bouncing along the cobblestones of the street.
It was the severed head of Berlioz.
